The harmony is several tones that can be heard at the same time, which is either a triple of all kinds (k, p, g, n) in its basic position or with its different upheavals, and a quadruple with its five types, as Dalcruz struck it, all of these contortions are heard individually until the master’s stage, the doctoral stage comes the student listens To pluralism.
AL-JARASHA, F. M. (2018). POLY CHORDS AND USE IN SOLFEGE. International Journal of Humanities and Language Research, 1(2), 27-33. doi: 10.21608/ijhlr.2018.180098
MLA
Fatima Mahmoud AL-JARASHA. "POLY CHORDS AND USE IN SOLFEGE". International Journal of Humanities and Language Research, 1, 2, 2018, 27-33. doi: 10.21608/ijhlr.2018.180098
HARVARD
AL-JARASHA, F. M. (2018). 'POLY CHORDS AND USE IN SOLFEGE', International Journal of Humanities and Language Research, 1(2), pp. 27-33. doi: 10.21608/ijhlr.2018.180098
VANCOUVER
AL-JARASHA, F. M. POLY CHORDS AND USE IN SOLFEGE. International Journal of Humanities and Language Research, 2018; 1(2): 27-33. doi: 10.21608/ijhlr.2018.180098